Beginning from one hundred works, the atlas joins the painter’s life and voice, research and literature, thirty-four languages and the records of the foundation into one web of relations.
The hundred works, the Core 30, the online exhibition, and the maps of motif, colour and time.
Map of works →A life through Seogwipo, Japan, Seoul and Jeju, with seven sessions of oral history.
Map of a life →A Hundred Years of Wind, the painter and fūdo, fifty masters re-read, and the research essays.
Map of research →The poems and essays of the hundred works, and the monologues of wind, painter and painting, read in a low voice.
Map of literature →Thirty-four language editions, each with its chosen works and core aesthetic context.
Map of languages →The places he lived, authentication, copyright and image use, films and catalogues.
Map of the foundation →The whole web joining the hundred works to life, chronology, oral history, research, literature and motif.
Open the web →Works, years, places, oral history, research, literature and foundation records from one door.
Begin searching →Along time, motif, colour and Pathways — into the works and the life, the research and the literature.
Following the years of the works, 1944 to 2013.
Open →Horse, crow, boat, tree, house, sea, figure, sun and wind — a web of motifs.
Open →From the dark tones of Japan to the early blues of Jeju, the colour of dry grass, and the late emptying.
Open →Six ways in — for the first-time viewer, colour, the empty boat, wind, homecoming, and readers of the world.
Open →The structure of the art, read through thirty representative works.
Official page →Six chapters, from the self-portrait in a foreign land to the last line.
Online exhibition →