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The Byun Shi-Ji Atlas / Reading

READING · Five essays

Reading Byun Shi-Ji's Paintings

A painter passed through many placesand arrived at his own painting.

The color of dried grass, the bent line,and the space left open around them.

In five essayswe meet the paintings of Byun Shi-Ji.

Text, planning and editing · Byun Joung Hoon

The Old Pine and the Old Man · 1987 · FŪDO 079

These essays do not try to pass on a great deal of knowledge at once. Their aim is that, after reading, the painting you saw a moment ago looks different.

  1. 1 Byun Shi-Ji, Self-Portrait, 1944 The Road to His Own Painting Through Japan and Seoul to Jeju How did a painter who worked in fine detail come to leave only a few lines? Self-Portrait · 1944
  2. 2 Byun Shi-Ji, Solitude, 1995 The Color of Dried Grass The color that binds the sky and the sea Why are the sky, the sea, and the land all within one color? Solitude · 1995
  3. 3 Byun Shi-Ji, The Old Pine and the Old Man, 1987 The Bent Line The shape of a body that has met the wind Why do the lines of people and trees lean? The Old Pine and the Old Man · 1987
  4. 4 Byun Shi-Ji, The Sea of Jeju, 2011 The Space Left Open Why a painting with little in it stays long How does one small boat make the sea wide? The Sea of Jeju · 2011
  5. 5 Byun Shi-Ji, Going On as It Is, 2006 From Jeju to the World Paintings begun on one island, reaching into different lives What do these paintings hand to someone who knows nothing of Jeju? Going On as It Is · 2006

Read in order, the essays move from the painter's life, through the features of his painting, to the experience of other viewers. Each one can also be read on its own.

Start with the first essay →

This site was made to share the work and the world of the painter Byun Shi-Ji. The paintings are by Byun Shi-Ji; the texts and the planning and editing of the content are by Byun Joung Hoon.