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BYUN SHI-JI · FŪDO 039

The Sea Is the Haenyeo’s Tears

The Sea Is the Haenyeo’s Tears

1979 · Jeju, early period

Byun Shi-Ji (변시지), The Sea Is the Haenyeo’s Tears, 1979, painting from the early Jeju period, shaped by wind and dried-grass colour.

Artwork text

Seen at a glance,
it is just a yellowed surface.
A single horizon line,
a few black lines.
But seen long, it is different.
In the center,
a haenyeo lies heavily, face down.
Her body
slowly comes forth.
Far to the left,
a single small boat
hangs like a dot on the horizon.
Seen too quickly, it disappears.
Only by looking long
do you see what the sea has shed.
The faded color
is not empty.
A sorrow that could not be spoken
has seeped into it.
To gaze long
is to find, within the faded color,
a long-held weeping.

Key context

Byun Shi-Ji was a Korean modern and contemporary painter who treated Jeju’s Fūdo not as scenery but as a condition of existence. Through solitude, waiting, wind and the colour of dried grass, his art formed a glocal modernism rooted in Korea and open to the world.