Beginning at the painted surface, moving through life, documents, philosophy, literature and world art, and returning to the painting.
One hundred philosophical themes crossing Byun Shi-Ji’s paintings in eight parts.
Read →World painters and Byun Shi-Ji reread through colour, line, interval, grammar and materiality.
Read →Fifty works of Western art reconsidered through Byun Shi-Ji’s aesthetics.
Read →Seven sessions and fourteen hours establishing facts about return, canvas, storm, colour and Jeju.
Read →From the bowed nude to the old figures of Jeju.
Read →Reading Korean literature’s vernacular lyricism and language of solitude alongside Byun Shi-Ji’s aesthetics of fūdo.
Read →The permanent gallery in Seogwipo, the honorary directorship and the relation between work and museum.
Read →Fifty-four principal events organised around physical documents and contemporary reporting.
Read →Exhibitions, awards, education and works traced through 227 entries and 62 primary sources.
Read →