CENTRAL READING
Mount Sanbang
Form emerges through endurance; it is the mark left by endured time.
PERIOD & MOTIFS
Middle Jeju II, 1988–1995
Memory after the storm, the way home, longing, solitude and light.
fudofūdo
LIFE & TIME
Chronological coordinates
- 1990Mount Sanbang was created and registered in the official archive.
- REVIEWMiddle Jeju II, 1988–1995 · Memory after the storm, the way home, longing, solitude and light.
THE PAINTER’S VOICE
Related oral history
- Session 5Formation of the Jeju Style
- Session 6Life and Primal Landscape in Jeju
- Session 7Dried-Grass Colour · Technique · Imagined Landscape
RESEARCH
Research paths
- RESEARCHPainter and FūdoOpen source →
- RESEARCHA Century of WindOpen source →
- RESEARCHOral-History CommentaryOpen source →
EVIDENCE
Evidence and interpretation
| Grade | Claim | Basis |
|---|---|---|
| A | 1990 · Mount Sanbang | Title, year and image in the official 100 Works archive. |
| B | Visible form and recurring motifs | Direct comparison of image, artwork text and related works. |
| B | Middle Jeju II, 1988–1995 | Formal comparison within the reviewed chronological group. |
| C | Links to life, testimony and research | Curatorial relations proposed for research navigation. |
Related Works
Works to view together
FŪDO 011 · 1989
The Sea Is the Haenyeo's Tears
Endurance is not defeating the world, but leaning on one another enough not to collapse.
FŪDO 050 · 1988
Landscape with an Ox
This is not an abandoned house, only a house briefly unoccupied: an ordinary noon without departure or farewell.
FŪDO 009 · 1987
Hallasan
Landscape is not a background behind a person, but the posture formed by a life lived there.
FŪDO 044 · 1986
Oreum
The summit is not a place to remain. An ascent is completed by descent.
FŪDO 014 · 1995
Solitude
The bent form is not a trace of defeat, but the shape of endurance that has not forgotten the sky.
FŪDO 032 · 1995
Absorption
After distance, withdrawal, and emptiness, peace was the light settling upon one unoccupied patch of earth.