CENTRAL READING
Hallasan
Landscape is not a background behind a person, but the posture formed by a life lived there.
PERIOD & MOTIFS
Middle Jeju I, 1980–1987
Ieodo, dried-grass colour, storms, wavering horizons and the black sun.
boatfigurefūdo
LIFE & TIME
Chronological coordinates
- 1987Hallasan was created and registered in the official archive.
- REVIEWMiddle Jeju I, 1980–1987 · Ieodo, dried-grass colour, storms, wavering horizons and the black sun.
THE PAINTER’S VOICE
Related oral history
- Session 5From the Biwon Style to the Jeju Style
- Session 7Dried-Grass Colour · Technique · Independent Artistic World
RESEARCH
Research paths
- RESEARCHPainter and FūdoOpen source →
- RESEARCHA Century of WindOpen source →
- RESEARCHVerified ChronologyOpen source →
EVIDENCE
Evidence and interpretation
| Grade | Claim | Basis |
|---|---|---|
| A | 1987 · Hallasan | Title, year and image in the official 100 Works archive. |
| B | Visible form and recurring motifs | Direct comparison of image, artwork text and related works. |
| B | Middle Jeju I, 1980–1987 | Formal comparison within the reviewed chronological group. |
| C | Links to life, testimony and research | Curatorial relations proposed for research navigation. |
Related Works
Works to view together
FŪDO 044 · 1986
Oreum
The summit is not a place to remain. An ascent is completed by descent.
FŪDO 028 · 1982
The Cliff's Edge
To paint dried-grass colour is to call Jeju into the work. Colour reveals fūdo rather than covering scenery.
FŪDO 008 · 1983
Tropical Sun
This yellow is not merely local colour; it is the colour of life that has endured.
FŪDO 062 · 1987
The Empty House
The tree gestures toward departure while the rock opens toward return: one sends away, the other waits.
FŪDO 079 · 1987
The Old Pine and the Old Man
The old man cannot go inside, fearing that the boat will vanish the moment he turns away.
FŪDO 003 · 1985
In Memoriam
Dwelling is not occupying a place, but gradually becoming part of it.