The Old Pine and the Old Man
The old man cannot go inside, fearing that the boat will vanish the moment he turns away.
Middle Jeju I, 1980–1987
Ieodo, dried-grass colour, storms, wavering horizons and the black sun.
Chronological coordinates
- 1987The Old Pine and the Old Man was created and registered in the official archive.
- REVIEWMiddle Jeju I, 1980–1987 · Ieodo, dried-grass colour, storms, wavering horizons and the black sun.
Related oral history
- Session 5The Jeju Style and Return
- Session 6Scenes of Life in Jeju
- Session 7Imagined Landscape
Research paths
- RESEARCHPainter and FūdoOpen source →
- RESEARCHA Century of WindOpen source →
- RESEARCHOral-History CommentaryOpen source →
Evidence and interpretation
| Grade | Claim | Basis |
|---|---|---|
| A | 1987 · The Old Pine and the Old Man | Title, year and image in the official 100 Works archive. |
| B | Visible form and recurring motifs | Direct comparison of image, artwork text and related works. |
| B | Middle Jeju I, 1980–1987 | Formal comparison within the reviewed chronological group. |
| C | Links to life, testimony and research | Curatorial relations proposed for research navigation. |
Works to view together

The Empty House
The tree gestures toward departure while the rock opens toward return: one sends away, the other waits.

The Departing Boat
A person no larger than a dot governs the image; the smaller the dot, the deeper the solitude.

The Departing Boat
Consolation does not erase sorrow; it remains quietly beside it.

A Long, Long Longing
Waiting is not time spent obtaining something, but keeping the heart directed toward what does not come.

Longing
One longs even for someone nearby but unreachable, calling an unspoken name through the tree.

Sinking into Time
The person is absent and the horse waits instead. Waiting is the inability to withdraw the heart from that direction.