Landscape with an Ox
This is not an abandoned house, only a house briefly unoccupied: an ordinary noon without departure or farewell.
Middle Jeju II, 1988–1995
Memory after the storm, the way home, longing, solitude and light.
Chronological coordinates
- 1988Landscape with an Ox was created and registered in the official archive.
- REVIEWMiddle Jeju II, 1988–1995 · Memory after the storm, the way home, longing, solitude and light.
Related oral history
- Session 5Formation of the Jeju Style
- Session 6Life and Primal Landscape in Jeju
- Session 7Dried-Grass Colour · Technique · Imagined Landscape
Research paths
- RESEARCHPainter and FūdoOpen source →
- RESEARCHA Century of WindOpen source →
- RESEARCHOral-History CommentaryOpen source →
Evidence and interpretation
| Grade | Claim | Basis |
|---|---|---|
| A | 1988 · Landscape with an Ox | Title, year and image in the official 100 Works archive. |
| B | Visible form and recurring motifs | Direct comparison of image, artwork text and related works. |
| B | Middle Jeju II, 1988–1995 | Formal comparison within the reviewed chronological group. |
| C | Links to life, testimony and research | Curatorial relations proposed for research navigation. |
Works to view together

The Sea Is the Haenyeo's Tears
Endurance is not defeating the world, but leaning on one another enough not to collapse.

Mount Sanbang
Form emerges through endurance; it is the mark left by endured time.

The Sea of Jeju
Everything on the rise inclines toward the others. It is a warm place to which the distant boat may return.

The Way Home
The way home is not walked after the wind ends, but through the wind by a body that is already tired.

Solitude
The bent form is not a trace of defeat, but the shape of endurance that has not forgotten the sky.

Absorption
After distance, withdrawal, and emptiness, peace was the light settling upon one unoccupied patch of earth.