The Byun Shi-Ji AtlasWORKS · FŪDO · LANGUAGES
Beneath a ring-like sun and a few black mountain lines stand a thatched house, stone wall, bowed horse and stooped person; Hallasan becomes the condition of the whole scene.
Byun Shi-Ji, Hallasan, 1987 · FŪDO 009

Core 30/CORE 18 / 30

CORE 18 · ARCHIVE 009 · 1987 · Middle Jeju

Hallasan

한라산

  • Landscape as lived posture
  • invisible centre
  • dwelling

Before the painting

Beneath a ring-like sun and a few black mountain lines stand a thatched house, stone wall, bowed horse and stooped person; Hallasan becomes the condition of the whole scene.

Art-Historical Structure

Hallasan is compressed into a few lines, yet remains the underlying centre of the island.

The lowered house, bowed horse and stooped person share postures acquired through the same fūdo. Landscape is what a place leaves in bodies after life has been lived there.

Key Sentence

Landscape is not a background, but the posture left in a body by a life lived within a place.CORE 18 · Hallasan · 1987

Image and base identification: byunshiji.org / works / 009
Philosophical statements are critical interpretations grounded in the work, not presented as direct quotations from the artist.

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