Thatched House by the Shore
Waiting is the refusal of those who have companions to forget the one left alone at sea.
Middle Jeju I, 1980–1987
Ieodo, dried-grass colour, storms, wavering horizons and the black sun.
Chronological coordinates
- 1982Thatched House by the Shore was created and registered in the official archive.
- REVIEWMiddle Jeju I, 1980–1987 · Ieodo, dried-grass colour, storms, wavering horizons and the black sun.
Related oral history
- Session 5From the Biwon Style to the Jeju Style
- Session 7Dried-Grass Colour · Technique · Independent Artistic World
Research paths
- RESEARCHPainter and FūdoOpen source →
- RESEARCHA Century of WindOpen source →
- RESEARCHVerified ChronologyOpen source →
Evidence and interpretation
| Grade | Claim | Basis |
|---|---|---|
| A | 1982 · Thatched House by the Shore | Title, year and image in the official 100 Works archive. |
| B | Visible form and recurring motifs | Direct comparison of image, artwork text and related works. |
| B | Middle Jeju I, 1980–1987 | Formal comparison within the reviewed chronological group. |
| C | Links to life, testimony and research | Curatorial relations proposed for research navigation. |
Works to view together

Sea Village
The departing boat and remaining house bind maritime and terrestrial life within one fūdo.

The Empty House
The tree gestures toward departure while the rock opens toward return: one sends away, the other waits.

The Cliff's Edge
To paint dried-grass colour is to call Jeju into the work. Colour reveals fūdo rather than covering scenery.

Crows on the Stone Wall
Perhaps waiting is the act of those who remain looking toward the sea together.

The Old Pine and the Old Man
The old man cannot go inside, fearing that the boat will vanish the moment he turns away.

The Departing Boat
Consolation does not erase sorrow; it remains quietly beside it.