Mother and Fish
The horizon is the distance between mother and father: unreachable, yet unbroken.
Early Jeju, 1975–1979
Return at fifty, blue Jeju, horses and boats, labour and absence.
Chronological coordinates
- 1979Mother and Fish was created and registered in the official archive.
- REVIEWEarly Jeju, 1975–1979 · Return at fifty, blue Jeju, horses and boats, labour and absence.
Related oral history
- Session 5Formation of the Jeju Style
- Session 6Life and Primal Landscape in Jeju
- Session 7Independent Artistic World · Technique · Dried-Grass Colour
Research paths
- RESEARCHPainter and FūdoOpen source →
- RESEARCHA Century of WindOpen source →
- RESEARCHOral-History CommentaryOpen source →
- RESEARCHIconography of the Bent BodyOpen source →
Evidence and interpretation
| Grade | Claim | Basis |
|---|---|---|
| A | 1979 · Mother and Fish | Title, year and image in the official 100 Works archive. |
| B | Visible form and recurring motifs | Direct comparison of image, artwork text and related works. |
| B | Early Jeju, 1975–1979 | Formal comparison within the reviewed chronological group. |
| C | Links to life, testimony and research | Curatorial relations proposed for research navigation. |
Works to view together

The Sea Is the Haenyeo's Tears
Faded colour is not empty. To look for a long time is to discover an old cry within it.

Haenyeo
Depth does not come from darkness alone, but from long endurance and weathering.

Sea Village
A sea village is where sea and land divide the work of sustaining life.

The Jetty
An empty boat has reached the jetty, but the person has not returned. Arrival and absence occupy the same scene.

The Departing Boat
Painting may not be holding something fast, but quietly allowing what will disappear to depart.

Sunset
Depth appears when several times are allowed to remain together within one pale light.