The Departing Boat
Painting may not be holding something fast, but quietly allowing what will disappear to depart.
Early Jeju, 1975–1979
Return at fifty, blue Jeju, horses and boats, labour and absence.
Chronological coordinates
- 1979The Departing Boat was created and registered in the official archive.
- REVIEWEarly Jeju, 1975–1979 · Return at fifty, blue Jeju, horses and boats, labour and absence.
Related oral history
- Session 5Formation of the Jeju Style
- Session 6Life and Primal Landscape in Jeju
- Session 7Independent Artistic World · Technique · Dried-Grass Colour
Research paths
- RESEARCHPainter and FūdoOpen source →
- RESEARCHA Century of WindOpen source →
- RESEARCHOral-History CommentaryOpen source →
Evidence and interpretation
| Grade | Claim | Basis |
|---|---|---|
| A | 1979 · The Departing Boat | Title, year and image in the official 100 Works archive. |
| B | Visible form and recurring motifs | Direct comparison of image, artwork text and related works. |
| B | Early Jeju, 1975–1979 | Formal comparison within the reviewed chronological group. |
| C | Links to life, testimony and research | Curatorial relations proposed for research navigation. |
Works to view together

The Returning Boat
To return is not to restore the time before departure, but to understand at last the meaning of the place left behind.

The Jetty
An empty boat has reached the jetty, but the person has not returned. Arrival and absence occupy the same scene.

Ieodo
Fūdo is not a view observed from afar, but a condition entered bodily, where one receives the same wind and cools within it.

Brother Islands
Fūdo is not a background. It is a condition.

Sea Village
A sea village is where sea and land divide the work of sustaining life.

Ieodo
The empty boat remembers those who could not return; Ieodo remembers the names that could never be called.