Jeju
Before every colour settled into dried-grass colour, the painter looked for a long time at the place to which he had returned.
Early Jeju, 1975–1979
Return at fifty, blue Jeju, horses and boats, labour and absence.
Chronological coordinates
- 1976Jeju was created and registered in the official archive.
- REVIEWEarly Jeju, 1975–1979 · Return at fifty, blue Jeju, horses and boats, labour and absence.
Related oral history
- Session 5Experiments Toward the Jeju Style
- Session 6Jeju’s Primal Landscape and Folklore
- Session 7Dried-Grass Colour · Technique · Imagined Landscape
Research paths
- RESEARCHOral-History CommentaryOpen source →
- RESEARCHPainter and FūdoOpen source →
- RESEARCHA Century of WindOpen source →
Evidence and interpretation
| Grade | Claim | Basis |
|---|---|---|
| A | 1976 · Jeju | Title, year and image in the official 100 Works archive. |
| B | Visible form and recurring motifs | Direct comparison of image, artwork text and related works. |
| B | Early Jeju, 1975–1979 | Formal comparison within the reviewed chronological group. |
| C | Links to life, testimony and research | Curatorial relations proposed for research navigation. |
Works to view together

The Pony
Soon this colour will settle into dried-grass colour and warmth into solitude. The two ponies stand leaning toward each other.

Sunset
Depth appears when several times are allowed to remain together within one pale light.

Rite to the Sea God
The prayer goes to the deity, while the heart goes to the boat. A single rite binds those who leave and those who remain.

Brother Islands
Fūdo is not a background. It is a condition.

Sea Village
A sea village is where sea and land divide the work of sustaining life.

Tropical Sun
This yellow is not merely local colour; it is the colour of life that has endured.