Annyeong
Annyeong contains both farewell and return: a greeting that does not hold back, yet promises not to forget.
Middle Jeju I, 1980–1987
Ieodo, dried-grass colour, storms, wavering horizons and the black sun.
Chronological coordinates
- 1982Annyeong was created and registered in the official archive.
- REVIEWMiddle Jeju I, 1980–1987 · Ieodo, dried-grass colour, storms, wavering horizons and the black sun.
Related oral history
- Session 5Formation of the Jeju Style
- Session 6Jeju’s Primal Landscape and Folklore
- Session 7Imagined Landscape and Dried-Grass Colour
Research paths
- RESEARCHPainter and FūdoOpen source →
- RESEARCHA Century of WindOpen source →
- RESEARCHOral-History CommentaryOpen source →
Evidence and interpretation
| Grade | Claim | Basis |
|---|---|---|
| A | 1982 · Annyeong | Title, year and image in the official 100 Works archive. |
| B | Visible form and recurring motifs | Direct comparison of image, artwork text and related works. |
| B | Middle Jeju I, 1980–1987 | Formal comparison within the reviewed chronological group. |
| C | Links to life, testimony and research | Curatorial relations proposed for research navigation. |
Works to view together

A Long, Long Longing
Waiting is not time spent obtaining something, but keeping the heart directed toward what does not come.

Longing
One longs even for someone nearby but unreachable, calling an unspoken name through the tree.

Ieodo
The empty boat remembers those who could not return; Ieodo remembers the names that could never be called.

The Departing Boat
Consolation does not erase sorrow; it remains quietly beside it.

The Departing Boat
A person no larger than a dot governs the image; the smaller the dot, the deeper the solitude.

The Old Pine and the Old Man
The old man cannot go inside, fearing that the boat will vanish the moment he turns away.