CENTRAL READING
Survival 2
To bend is to resist breaking; to rise is to resist disappearance.
PERIOD & MOTIFS
Late Jeju, 1996–2013
Survival, reduction, noon, the single dot and the last work.
fudofūdo
LIFE & TIME
Chronological coordinates
- 2005Survival 2 was created and registered in the official archive.
- REVIEWLate Jeju, 1996–2013 · Survival, reduction, noon, the single dot and the last work.
THE PAINTER’S VOICE
Related oral history
- Session 5Formation of the Jeju Style
- Session 7Technique · Imagined Landscape · Independent Artistic World
RESEARCH
Research paths
- RESEARCHPainter and FūdoOpen source →
- RESEARCHA Century of WindOpen source →
- RESEARCHVerified ChronologyOpen source →
EVIDENCE
Evidence and interpretation
| Grade | Claim | Basis |
|---|---|---|
| A | 2005 · Survival 2 | Title, year and image in the official 100 Works archive. |
| B | Visible form and recurring motifs | Direct comparison of image, artwork text and related works. |
| B | Late Jeju, 1996–2013 | Formal comparison within the reviewed chronological group. |
| C | Links to life, testimony and research | Curatorial relations proposed for research navigation. |
Related Works
Works to view together
FŪDO 007 · 2005
A Wavering Horizon
To endure is not to survive alone.
FŪDO 026 · 2006
A Single Dot
When nothing more can be removed, one dot remains. The emptiest place becomes the fullest.
FŪDO 082 · 2004
The High Note
The high note is a sound that pushes existence upward so that it will not disappear.
FŪDO 013 · 2007
The Tree That Reaches Toward the Sky
Even while lowered, life continues upward and refuses to forget the sky.
FŪDO 023 · 1996
Rough Sea, Wet Sky
The greatest forces fall silent before one small existence they cannot wholly overcome.
FŪDO 100 · 2013
The Last Work
A horse, black sun, small boat, and coastline remain in minimal lines. The final surface is less a closed conclusion than an open resonance.