The Byun Shi-Ji AtlasWORKS · FŪDO · LANGUAGES
한국어

Research/Fūdo Begets Form

RESEARCH · A REREADING OF WORLD PAINTING

Fūdo Begets Form

풍토는 형식을 낳는다

Colour, line, void, grammar, materiality. Through five doors, sixteen painters — and on the last hill, an old man once more.

Prologue + 5 Parts + Closing + Appendix · 301 pp.

Read from the beginning →
PrologueWhen Fūdo Begets Form12 sections
Part OneColor3 essays
  1. Chapter OneTamayo, a Red that Rose from the Soil
  2. Chapter TwoO'Keeffe, the Outline of Dry Air
  3. Chapter ThreeMunch, a Red that Came from Within
Part TwoLine3 essays
  1. Chapter FourChusa, Spirit without Fūdo
  2. Chapter FiveSesshū, the Speed of Wet Paper
  3. Chapter SixEmily Carr, the Brush that Rises
Part ThreeVoid4 essays
  1. Chapter SevenBada Shanren, a Few Points of Ink and the Rest of the Paper
  2. Chapter EightFred Williams, the Void Filled
  3. Chapter NineTurner, the Void Erased
  4. Chapter TenKapoor, a Manufactured Emptiness
Part FourGrammar3 essays
  1. Chapter ElevenPicasso, Breaking and Setting Down Again
  2. Chapter TwelveLevitan, the Height of the Horizon
  3. Chapter ThirteenGauguin, an Arrangement without Belonging
Part FiveMateriality3 essays
  1. Chapter FourteenKiefer, Ground Turned to Ash
  2. Chapter FifteenGoldsworthy, What Was Got in That Place
  3. Chapter SixteenVan Gogh, the Thickness of Paint
Closing ChapterJejuhwa, When Wind Becomes Language10 sections AppendixA Map of Fūdo Modernism17 sections

Colophon

Fūdo Begets Form
A Rereading of World Painting

byunshiji.org