The Byun Shi-Ji Atlas WORKS · FŪDO · LANGUAGES
KO
Catalogue Segment 4

Works 076–100

FŪDO 076 · 1983

The Departing Boat

Consolation does not erase sorrow; it remains quietly beside it.

FŪDO 077 · 1978

The Returning Boat

To return is not to restore the time before departure, but to understand at last the meaning of the place left behind.

FŪDO 078 · 1979

The Jetty

An empty boat has reached the jetty, but the person has not returned. Arrival and absence occupy the same scene.

FŪDO 079 · 1987

The Old Pine and the Old Man

The old man cannot go inside, fearing that the boat will vanish the moment he turns away.

FŪDO 080 · 1979

A Lively Half-Day by the Sea

Solitude is not where life stops, but where the world's smallest movements become more audible.

FŪDO 081 · 1990

Where To?

They remain together without providing an answer. In the erased field, stillness itself becomes dignity.

FŪDO 082 · 2004

The High Note

The high note is a sound that pushes existence upward so that it will not disappear.

FŪDO 083 · 1981

A Long, Long Longing

Waiting is not time spent obtaining something, but keeping the heart directed toward what does not come.

FŪDO 084 · 1992

A Long, Long Longing

Longing goes as far as it can and looks as far as sight permits, before finally stopping in place.

FŪDO 085 · 1995

Longing

The unseen is not erased from memory. Longing is a silent time in which the absent is still kept.

FŪDO 086 · 1985

Longing

One longs even for someone nearby but unreachable, calling an unspoken name through the tree.

FŪDO 087 · 1996

Longing

A painter of departure paints the departure of his children; their flight also means they were raised well.

FŪDO 088 · 1982

Annyeong

Annyeong contains both farewell and return: a greeting that does not hold back, yet promises not to forget.

FŪDO 089 · 2006

The Letter

The letter is written despite knowing no reply will come, because writing seats the departed person before us once more.

FŪDO 090 · 2001

The Gaze

The horse on the cliff quietly watches the departing boat and every moment once shared.

FŪDO 091 · 1988

Recollection

What was loved most remains faintest. The horse was not erased; it walked inward and became part of the self.

FŪDO 092 · 2005

Ieodo

The returned empty boat is the only evidence that the fisherman reached Ieodo.

FŪDO 093 · 1991

The Way Home

The way home is not walked after the wind ends, but through the wind by a body that is already tired.

FŪDO 094 · 1990

The Way Home

After every departure and exhaustion, one part of the heart still turns toward its own place.

FŪDO 095 · 2004

Wide Sea, Narrow Path

Life may be less about finding a straight road than about walking a bent path to its end.

FŪDO 096 · 1976

Jeju

Before every colour settled into dried-grass colour, the painter looked for a long time at the place to which he had returned.

FŪDO 097 · 1997

Wild Dance

Fūdo is the unseen force that makes a world live together. Separate beings remain within the same wind.

FŪDO 098 · 2004

A Day

One person bears the day on land and another at sea, beneath the same sky.

FŪDO 099 · 1990

The Way Home

The hand that painted departure throughout a lifetime finally painted return. An entire life lay between the two.

FŪDO 100 · 2013

The Last Work

A horse, black sun, small boat, and coastline remain in minimal lines. The final surface is less a closed conclusion than an open resonance.