The Byun Shi-Ji Atlas WORKS · FŪDO · LANGUAGES
KO

Fūdo Begets Form

A Rereading of World Painting

CONTENTS

Prologue — When Fūdo Begets Form Part One · Color Chapter One — Tamayo, a Red that Rose from the Soil Chapter Two — O'Keeffe, the Outline of Dry Air Chapter Three — Munch, a Red that Came from Within Part Two · Line Chapter Four — Chusa, Spirit without Fūdo Chapter Five — Sesshū, the Speed of Wet Paper Chapter Six — Emily Carr, the Brush that Rises Part Three · Void Chapter Seven — Bada Shanren, a Few Points of Ink and the Rest of the Paper Chapter Eight — Fred Williams, the Void Filled Chapter Nine — Turner, the Void Erased Chapter Ten — Kapoor, a Manufactured Emptiness Part Four · Grammar Chapter Eleven — Picasso, Breaking and Setting Down Again Chapter Twelve — Levitan, the Height of the Horizon Chapter Thirteen — Gauguin, an Arrangement without Belonging Part Five · Materiality Chapter Fourteen — Kiefer, Ground Turned to Ash Chapter Fifteen — Goldsworthy, What Was Got in That Place Chapter Sixteen — Van Gogh, the Thickness of Paint Closing Chapter — Jejuhwa, When Wind Becomes Language Appendix — A Map of Fūdo Modernism
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