The Byun Shi-Ji Atlas WORKS · FŪDO · LANGUAGES
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Catalogue Segment 3

Works 051–075

FŪDO 051 · 1978

The Shore and the Pony

The closer the bond, the fewer the words. This quiet is the everyday life of Jeju.

FŪDO 052 · 1978

The Shore and the Pony

Dried-grass colour is not nature's surface colour, but the colour left by life exhausted through waiting.

FŪDO 053 · 1975

The Pony

Soon this colour will settle into dried-grass colour and warmth into solitude. The two ponies stand leaning toward each other.

FŪDO 054 · 2006

Going On as It Is

The old man seemed to walk alone, yet the horse, staff, boat, and entire landscape were carrying him forward.

FŪDO 055 · 1984

The Ox and the Old Man

The ox and old man have walked side by side for a lifetime. Both have aged, yet their mutual gaze remains unchanged.

FŪDO 056 · 1978

The Cow and the Calf

The return is not merely to a homeland, but to a mother's embrace, before warmth has settled into solitude.

FŪDO 057 · 1983

Crows on the Stone Wall

Perhaps waiting is the act of those who remain looking toward the sea together.

FŪDO 058 · 1980

Crows on the Stone Wall

The mound of stone becomes the form of people who lost speech while waiting for those who did not return.

FŪDO 059 · 1981

Dol Hareubang and Crows

The stone grandfather waits by not moving and illuminates the road home by not speaking.

FŪDO 060 · 1979

The Crow and I

Knowing one another's solitude without speech is the dialogue between the crow and me.

FŪDO 061 · 1997

Empty House on the Left, Empty House on the Right

Life may be the act of choosing one empty place between two houses and filling it with one's warmth.

FŪDO 062 · 1987

The Empty House

The tree gestures toward departure while the rock opens toward return: one sends away, the other waits.

FŪDO 063 · 1980

Ieodo

The empty boat remembers those who could not return; Ieodo remembers the names that could never be called.

FŪDO 064 · 1987

Ieodo

The empty boat is evidence of the one who did not return, and the crow's cry testifies to that absence.

FŪDO 065 · 1991

Ieodo

Before the empty boat returns and before the crow cries, the storm carries the person away in Ieodo's darkest night.

FŪDO 066 · 1979

The Old Tree

The tree sends the departing one with one arm and holds the one left behind with the other.

FŪDO 067 · 1983

The Gale

Even when the place of return collapses, life can begin again if another being remains beside us.

FŪDO 068 · 2003

Apparition

Human and horse become one mass of stone, an apparition of a heart unable either to leave or to stop waiting.

FŪDO 069 · 1994

Hope, Will, Peace, and Love

Hope may not be belief in a bright day, but raising one's hands toward the sky even on a dark one.

FŪDO 070 · 1985

The Black Sun

Hope may not be waiting for light, but remaining together even when there is none.

FŪDO 071 · 1975

Sunset

Depth appears when several times are allowed to remain together within one pale light.

FŪDO 072 · 1986

Sinking into Time

The person is absent and the horse waits instead. Waiting is the inability to withdraw the heart from that direction.

FŪDO 073 · 1993

The Island of Parting

Even within the same sea, human and horse remain separate islands of parting.

FŪDO 074 · 1996

The Solitude of Noon

There is so much light that nothing seems to reach the figure: deep solitude within the brightest hour.

FŪDO 075 · 1979

The Departing Boat

Painting may not be holding something fast, but quietly allowing what will disappear to depart.