The Byun Shi-Ji Atlas WORKS · FŪDO · LANGUAGES
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Catalogue Segment 2

Works 026–050

FŪDO 026 · 2006

A Single Dot

When nothing more can be removed, one dot remains. The emptiest place becomes the fullest.

FŪDO 027 · 1976

Rite to the Sea God

The prayer goes to the deity, while the heart goes to the boat. A single rite binds those who leave and those who remain.

FŪDO 028 · 1982

The Cliff's Edge

To paint dried-grass colour is to call Jeju into the work. Colour reveals fūdo rather than covering scenery.

FŪDO 029 · 1979

The Beggar

The wind calls him a beggar, yet he is one who has passed through wind and cloud, light because he owns and risks little.

FŪDO 030 · 2010

Living Alone

Living alone is not severance from the world, but a place of dwelling deeply with oneself.

FŪDO 031 · 1990

Mount Sanbang

Form emerges through endurance; it is the mark left by endured time.

FŪDO 032 · 1995

Absorption

After distance, withdrawal, and emptiness, peace was the light settling upon one unoccupied patch of earth.

FŪDO 033 · 1984

The Departing Boat

A person no larger than a dot governs the image; the smaller the dot, the deeper the solitude.

FŪDO 034 · 1998

The Path Rejoined

The line thins almost to breaking, then joins again. An entire life can enter a single line.

FŪDO 035 · 1979

Moonlit Night

The moon lights the night as though unable to look directly. Sorrow does not disappear when the eyes are covered.

FŪDO 036 · 1965

Autumn at Aeryeonjeong

Splendour is put down one colour at a time. Only one who possessed abundance could choose to relinquish it.

FŪDO 037 · 1970

Changdeokgung Palace

The work stands at a passage from academic representation to fūdo, from form toward existential posture.

FŪDO 038 · 1944

Self-Portrait

Between the place left behind and the place not yet reached, the young painter establishes himself through the brush.

FŪDO 039 · 1979

The Sea Is the Haenyeo's Tears

Faded colour is not empty. To look for a long time is to discover an old cry within it.

FŪDO 040 · 1979

Haenyeo

Depth does not come from darkness alone, but from long endurance and weathering.

FŪDO 041 · 2003

The Sea Is the Haenyeo's Tears

The blue sea endures until it fades yellow. The sea becomes the tears of the haenyeo.

FŪDO 042 · 1979

Plowing

Dried-grass colour is the living colour that remains after life has endured for a long time.

FŪDO 043 · 1979

Mother and Fish

The horizon is the distance between mother and father: unreachable, yet unbroken.

FŪDO 044 · 1986

Oreum

The summit is not a place to remain. An ascent is completed by descent.

FŪDO 045 · 1978

Sea Village

A sea village is where sea and land divide the work of sustaining life.

FŪDO 046 · 1982

Sea Village

The departing boat and remaining house bind maritime and terrestrial life within one fūdo.

FŪDO 047 · 2002

Sea Village

One can leave because someone remains; one can return because someone keeps the place.

FŪDO 048 · 1982

Thatched House by the Shore

Waiting is the refusal of those who have companions to forget the one left alone at sea.

FŪDO 049 · 1992

The Sea of Jeju

Everything on the rise inclines toward the others. It is a warm place to which the distant boat may return.

FŪDO 050 · 1988

Landscape with an Ox

This is not an abandoned house, only a house briefly unoccupied: an ordinary noon without departure or farewell.