Surveillance summary
Typed — one carbon copy
CLASSIFIED
Entry 1
Entry 2
Entry 3
Entry 4
It was a celebration. The man who bought his paintings; the people who shared hot soup with him. In the blank the file left empty, there was talk of painting, and a warm meal. Source — official chronology · lifetime recollections
Entry 5
He left every position behind and came home. He never explained at length. He wanted to paint in the light and language of his homeland. That was all. Source — official chronology (returned 1957) · family testimony
Entry 6
Entry 7
UNKNOWN 0 / 3 — press a red blank
Byun Shi-Ji, Jeju period — a field in the color of dry grass; a small boat on the horizon line; a pony drawn in white; stone walls and a thatched hut; a bowed figure leaning on a cane
The answer the file could not write — Byun Shi-Ji, Jeju period ©Byun Joung Hoon
The state could never fill three blanks.
The answer was not in a document. It was in the paintings.
"Life was exile; art was blessing."
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This file is a staged device adapted from the opening of the film The Color of Dry Grass. It is not a real document.
Its entries are grounded in the official chronology and recorded oral testimony; the agency is unidentified by design. ©Byun Joung Hoon · ARTSHIJI